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Apple podcast

 

How comfortable are you sharing your art? Are you one of those people who shares regular videos or blog posts? Or do you tend to shy away from being public about your work?

Alice is preparing to launch an exciting new visibility challenge and that sparked a discussion about the importance of this facet of our art careers. It’s simply not enough to just make wonderful art – we also have to put it out into the world and that means putting ourselves out there too.

The truth is that people buy art from artists they can connect with and they can’t connect with you if they’ve never seen you. In this episode we discuss some of the blocks to visibility and share our own thoughts on the importance of making ourselves visible.

Mentioned:

Sign up to hear about Alice’s Time to Shine Alice’s challenge at : www.soulrocketstudio.com/shine

This is my House https://www.bbc.co.uk/iplayer/episodes/m000tjfz/this-is-my-house

The Cleaner https://www.bbc.co.uk/iplayer/episode/p09pm3dv/the-cleaner-series-1-1-the-widow

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

 

How much time should we spend thinking versus painting? Are we wasting time if we simply sit in a chair and look at what we made? And how can we approach analysing our own work?

In this episode, we discuss the importance of spending time with our work at various stages – including setting intentions, assessing progress during the making of the work, and reflecting on paintings once they are complete.

Time pressures, and a focus on productivity, can make it challenging for some artists to take a pause, but we both agree that it’s important to step back and find some distance from our work – whether that is halfway through a painting or once a series is complete. In fact, we think that pause improves our productivity because it allows us to clarify our thoughts and set clear intentions for our next moves.

Mentioned:

Talking Heads “Stop Making Sense” on Youtube:

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

 

We’ve all experienced it – we’re working on a painting we love and then … oops, we make a few wrong moves and the whole thing feels ruined. Or, as recently happened to Louise, we’e working in a painting late at night, feeling really good about it, and then come back in the next morning to find nothing is as we thought.

But is this really a problem?

In this episode, we discuss that sinking feeling and offer a different viewpoint. During our conversation, we dig into the stages of a painting, discuss whether we have ever actually ruined anything, rail against the use of gesso to ‘just cover it up,’ and agree on the importance of intention as a guiding principle.

We also share our thoughts on a new art book and digress into a slightly nerdy discussion about Mailchimp. 

Mentioned:

‘Remembering in Paint’ by David Mankin
UK and international options available through David’s website and Cornwall Contemporary gallery:
www.david-mankin.com/book

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

 

Welcome back! We have returned from a break – except was it really a break? We both seem to have been almost as busy and this realisation sparked a discussion about time management, priorities, and what we want from our art – including how important it is to make sales.

Over the break, Alice has been developing new ideas in a supportive group while Louise has been considering how she wants to share her work. But we’ve also been reconsidering where we spend our time (we even allow ourselves a little moan).

This isn’t an episode with “how to” tips or a focused message – it’s an honest conversation about the artist life, including throwing paintings on bonfires, managing “to do” lists, paring back our ideas, and finding time for ourselves. There is also a bonus discussion on finding the perfect coffee mug – you’re welcome lol.

Do let us know in the comments what you’d like to hear in the podcast in the future – it helps us plan and find great guests!

Mentioned:

Courtyard Pottery Grassington https://www.instagram.com/david.ashby.ceramics/?hl=en

Linda Bloomfield mugs https://lindabloomfield.co.uk/product-category/handmade-porcelain/mugs-cups/

John Hall obituary https://www.manchestereveningnews.co.uk/whats-on/music-nightlife-news/rip-john-hall-perfect-mancunian-21348415

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

 

As we prepare to take our summer break, we discuss the value of rest and recuperation. While some work requires consistency and regularity, we think making art is different and we both find our work ebbs and flows. Sometimes we are inspired and motivated to paint and other times we take a break and do something else, whether that is a vacation or simply a change of focus.

Our conversation also turns to the pressure some of us impose upon ourselves to always be producing, and the benefits of just letting go of the idea of 9-5, 365 days a year. We will be testing out our own theories over the next few weeks as we take a summer break.

Hopefully we will come back full of vim and vigour and ready to tackle a new season of the Art Juice podcast. See you then!

Mentioned:

The Yellow House by Martin Gayford https://www.amazon.co.uk/Yellow-House-Gauguin-Turbulent-Weeks/dp/0141016736/ref=asc_df_0141016736

How to Paint a Dead Man https://www.amazon.co.uk/How-Paint-Dead-Sarah-Hall/dp/0571224903

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

 

If you have ever wondered “Should I make prints of my art?” this episode will help unpick some of the things to consider.

We’re talking reproduction giclée prints (not to be confused with the prints made by printmakers). Alice has built a good revenue stream from prints of her original paintings while Louise has not made the leap and we share our reasons and lessons.

Our conversation covers:

  • the difficulty of choosing which paintings to reproduce
  • the importance of good photography
  • how you might find someone to help you create prints
  • the challenge of keeping your print collection current
  • the logistics of numbering and shipping
  • how to price for profit

We also discuss the importance of knowing your ‘why’ for adding prints to the art you offer as this will help direct your decision making… And we have a suggestion for an easier way to dip your toe into the water.

Mentioned:

The Yellow House by Martin Gayford https://www.amazon.co.uk/Yellow-House-Gauguin-Turbulent-Weeks/dp/0141016736/ref=asc_df_0141016736

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

 

Last week’s conversation with David Mankin sparked a conversation about process, so this week, we’re sharing our processes and discussing our own ideas about, and approaches to, painting. As you might have guessed there are some differences!

How has your process in art-making developed? We think knowing what works for you is a vital piece of the artistic puzzle but we approach this differently. We cover the role of ideas in our art-making and discuss the assertion that all artists must know what they are exploring in their work. We also discuss whether inspiration comes externally or internally (or both) and the importance of reflection and thought in our work. Finally, we share the questions we are currently asking ourselves in order to move our work forward. 

You can see more of what I’m up to regularly in my studio by following me on Instagram where I’m @alicesheridanstudio

Art Juice podcast artist process

Mentioned:

Louise’s book Life Force can be pre-ordered at: https://www.louisefletcherart.com/book 

In the Heights film trailer… there are lots more interesting clips about the development of the music on YouTube – enjoy!

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

 

In this episode, Louise chats with Cornish painter David Mankin about his new book Remembering in Paint. The book brings the reader inside Mankin’s process, from initial inspiration all the way through to finished paintings, and the idea of the artistic process is central to the book. We begin the conversation with an introduction to David’s career and the importance of chance encounters, and then move on to delve into process. David poses a question he believes every artist must answer; describes the importance of his process to his work; explains the balance of thought vs. feeling in his paintings; and shares his passion for the Cornish coast. Finally, we learn why he is currently excited about cauliflowers and smiles. This is a conversation not to be missed with an artist who is most definitely on the rise.

David Mankin on the Art Juice podcast

Mentioned:

David’s book can be pre-ordered on his website at https://www.david-mankin.com/book 

You can also find him at https://linktr.ee/davidmankinart 

Louise’s book Life Force can be pre-ordered at: https://www.louisefletcherart.com/book 

All About Process by Kim Grant https://blackwells.co.uk/bookshop/product/9780271077451?

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

 

Do you struggle to let paintings go? This week we’re answering a question from Gill Allen, who says “Why do I find it so hard to part with my work? I know I need to get over this impending feeling of loss but just how do I do that? Why do I feel like I’m losing part of myself even contemplating selling a piece of work?” We discuss this question from a number of different angles and also share our own experiences. Neither of us has struggled to let work go, but we have sometimes chosen to keep breakthrough paintings for a while. As we discuss Gill’s question, we ponder the idea of selling work – maybe some people don’t want to do that? We also ask whether there are underlying issues behind a desire to keep everything and we suggest a simple reframe that might be helpful. If you feel your paintings are precious babies to be held on to at all costs, this episode is for you.

Mentioned:

Gill Allen: https://gillallen.co.nz/

Arvon Foundation Writers Centers https://www.arvon.org/

Mark Steel’s in Hull https://www.youtube.com/watch?v=SV8-lktieDs

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

 

This week Alice is joined by Emily (or Emz) Finch an artist and mother from London to discuss the power of nature, but also how finding a really strong driver in your work can propel your ideas. Trigger warning, we mention miscarriage briefly as this is the start of Emily’s story and project.

The work Emily is doing now was prompted by a particular moment after a difficult series of personal experiences. Emily has found the power of nature to has helped with her PTSD flashbacks and has an ambition to build an installation that will hopefully start conversations about loss during COVID and will offer a multi-sensual space to explore the healing quality of trees and nature and reflect on what we all might have lost during this difficult time at a point the world is starting to emerge from lockdown.

This is an inspiring story – on a personal level, and for artists I hope this will encourage you that sharing what you can have such a positive impact in the world…. look what started from that painted pebble!

Mentioned:

Emily’s website: www.emzfinchart.co.uk If you want to talk to Emily about this project, do get in touch via her website. Do this and hear more about the project by singing up to her newsletter

Tickets for Somerset House – https://www.somersethouse.org.uk/whats-on/london-design-biennale-2021

More about the Forest for change https://forestforchange.globalgoals.org/

If you have been affected by miscarriage, Tommy’s, the miscarriage association are just two of the amazing organisations that can give support.

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

 

This week we are talking Teflon bubbles, and how to be completely normal to avoid all criticism!

We had some listener feedback which prompted us to consider how we manage to stay focused, and also feeling less hurt when you receive feedback which could throw you off-track. In the ‘old’ days we both would have felt this harder – so what’s changed? As artists one of the things we need to learn is how to keep going and not be swayed by opinions.

We recognise that some feedback can be helpful and share how we distinguish between them, two opposing views to keep at arms length, and a magic question to keep asking yourself so that you can get more grounded in whatever YOU are showing up and sharing. It’s the last chance to join Louise’s Find Your Joy 2021 and if you take one thing from this week – go out and do one bit of promotion for yourself.

Mentioned:

Just Bloody Post it podcast from Helen Perry (look for Episode 4 with Nat Lue) https://www.helen-perry.co.uk/the-just-bloody-post-it-podcast/

Robert Pagliarini article in the Chicago Tribune https://www.chicagotribune.com/ct-tribu-pagliarini-stop-pleasing-everyone-column-column.html

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

Apple podcast

So, you’ve done all the work – lots of it! Now, how do you curate an exhibition or display which is going to show it off well?

This week we’re responding to a question from Sara, a listener who recently exhibited a series of paintings. Sara hung 49 paintings in a “gallery wall” style display and she asked “do you think less is more when it comes to displaying your work?” This prompted a great discussion about curation when it comes to our art and why it matters so much.

We both believe that curating our work is a way to guide the viewer’s experience. Just as we edit a painting, we should also edit our exhibitions or online galleries in order to guide the viewer and help them understand or appreciate the work. But how to do that is the question? What do you include and what do you omit?

We discuss the idea of creating a coherent story, the importance of not creating a visual onslaught, and the value of putting yourself into the shoes of buyers in order to understand what they are experiencing when they look at your work. Our key question is ‘what do you want people to think or feel when they look at your work?’

Mentioned:

Jason Stephenson meditations on Youtube

I Can’t Believe it’s Not Bhudda Podcast

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License