We’ve all experienced it – we’re working on a painting we love and then … oops, we make a few wrong moves and the whole thing feels ruined. Or, as recently happened to Louise, we’e working in a painting late at night, feeling really good about it, and then come back in the next morning to find nothing is as we thought.
But is this really a problem?
In this episode, we discuss that sinking feeling and offer a different viewpoint. During our conversation, we dig into the stages of a painting, discuss whether we have ever actually ruined anything, rail against the use of gesso to ‘just cover it up,’ and agree on the importance of intention as a guiding principle.
We also share our thoughts on a new art book and digress into a slightly nerdy discussion about Mailchimp.
Mentioned:
‘Remembering in Paint’ by David Mankin
UK and international options available through David’s website and Cornwall Contemporary gallery:
www.david-mankin.com/book
If you have a question you’d like us to discuss, click here to send it to us
If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com
Contribute to the podcast here:
Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art
Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License
Leave a Reply
Want to join the discussion?Feel free to contribute!
You must log in to post a comment.