The Process of Abstraction [108]


If art is about communicating some aspect of how we see the world or what it means to be human; a selective recreation and not just nature or chance, it needs to express an idea. What is the meaning or the value in this representation? What’s your vision?
This week, we’re digging into the subject of abstract and non-objective art. We consider the different types of abstraction, from its beginnings with Hilda F. Klimt through the abstract expressionists and their focus on emotion, all the way to the more conceptual modern day abstraction.
“Abstract art has been with us in one form or another for almost a century now and has proved to be not only a long-standing crux of cultural debate but a self-renewing, vital tradition of creativity. We know that it works, even if we’re still not sure why that’s so, or exactly what to make of that fact.”
Pictures of Nothing: Abstract Art Since Pollock by Kirk Varnedoe
We also consider where to draw the line between art and simply making marks, and we share our own experiences with abstraction. Finally, we offer suggestions for those artists interested in abstraction, but unsure how to go about it, including the importance of identifying your ‘why.’
Having an idea behind the work will sustain you when things get challenging and how it helps you make decisions, strengthens your desire to keep working, and protects you against ill-informed criticism. This feels like a topic we need to come back to again and again, because there is so much to discuss. But we hope this first conversation sparks some ideas or spurs a discussion.

Mentioned:
Join the free Art2Life workshop HERE.
(started February 15th but you can still join)
Books mentioned:
Vitamin D: New Perspectives in Drawing
Ways of Drawing
Anna Sigmond Gudmundsdottir https://www.gudmundsdottir.com/
If you have a question you’d like us to discuss, click here to send it to us
If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com
Contribute to the podcast here:
Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art
Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License
Hi all,
As to concertina sketchbooks, we can certainly buy them here in the USA, but they often aren’t called that (to be fair, I think we often call concertinas “accordions”). Hahnemuhle makes a “zigzag” sketchbook, Pentalic makes accordion sketchbooks, Sennelier does the Urban Sketch Book with the accordian fold design, and I think there are others! All of these are available at regular art retailers and online behemoths.
Hi Alice and Louise.
In response to your latest discussion on Art Juice, episode 108….
‘Everything is Art’.
My reasoning behind this is everything has been created, by others (people and animals) or itself (nature), therefore we are all creators.
Therefore the manifestations of this creation, whether it be visual, auditory, or sensory in another way (touch or smell), is Art.
Putting something on a plinth, objectifies and possibly moneytorises (sp?) that art, pandering to the patriarchical white cube gallery concept and the capitalist system.
Discuss!!!
Much love,
Liz Dees 😉
Hi, this is Mary from the U.S. (and an Art2Life Academy member). If I google Concertina books there are many examples of how to make them. Also, Jacksonsart.com sells Concertina sketch book. Cheers!