Ever wanted to make bigger paintings, but find the reality is harder than you thought? Scary investment in materials? Not sure if your work will ‘work’ big?

This week, we answered a question from listener Paige, who asked about our experiences with scaling up. Paige wrote: “I am struggling to scale up, especially in my chosen media of collage but I see you work both small and large and I wondered if there was a formula for that.” Spoiler alert: neither of us have a formula, but we do share our own challenges, experiences and tips.

Our conversation covers the challenges of space (both in buyers’ homes and our own studios); the need to use bigger tools; and the importance of mixing up a lot more paint. We also look at the inherent difficulties of scaling up collage work, and offer a few suggestions of how to handle that transition. In the end, making large work is a new challenge for each of us, and requires us to find our own solutions, but we have both found the process rewarding enough to make it worthwhile.

Mentioned:

Sam Lock https://www.samlock.com/

Bibby Gignilliat large scale collage https://www.bibbyart.com/

Paranormal cold case podcast: Battersea poltergeist https://podcasts.apple.com/gb/podcast/the-battersea-poltergeist/id1548946506

Michelle Walker: Paintbrush & Ivories podcast https://michellewalker.com.au/podcast/

Art 2 Life podcast (episode 12) https://www.art2life.com/2022/01/12/the-artists-gift-nicholas-wilton-ep-12/

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

In this episode, we explore the idea of intuitive painting. What does that term even mean? And how does it relate to what we do?

Regular listeners will not be surprised to learn that we have different ideas about the importance and role of intuition, but in the end we agree that there is a difference between pure intuitive painting (aka process painting) and painting that relies heavily on intuition. The former is a process without a desired end result while the latter is a delicate balance between thinking and intuiting.

In pure intuitive painting, personal growth is the only objective, whereas our work is designed to communicate with others. Perhaps some of us lean more to one side or the other, but all must find the balance that is right for them. 

Mentioned:

Stewart Cubley’s Process Arts https://www.processarts.com/

Sally-Anne Ashley https://www.sally-anneashley.com/

Cheryle Bannon https://cherylebannon.com/what-is-intuitive-art/

If you have a question you’d like us to discuss, click here to send it to us

If you are enjoying the podcast this is an easy and inexpensive way to help support it and ensure it continues. The demands of making it each week can be challenging. Your support is allowing us to hire some editing help. If you’d like to help out with a one-time or a monthly donation, you can “buy us a coffee” us at Ko-fi.com

Contribute to the podcast here:

Follow Alice on Instagram @alicesheridanstudio
or Louise @louisefletcher_art

Credits
“Monkeys Spinning Monkeys” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License