Do you find that you are always attracted to the same colours?
It may be colours you choose to wear, or to decorate your home. If you are a painter you will almost certainly have a colour palette that feels personal and natural to you.
Some people go for cheery brights every time, while others prefer a more subtle softness that you get with more tertiary colours. At college my colours were always referred to as ‘squashed fruit’ colours!
One of the reasons for my #aprilcolour project was to stretch the colours that I mix and to learn about new paint pigments that are available. Let’s see if they can earn a place in my palette…
Quinacridone Burnt Orange (what a fabulous name, if you can remember it!) is, as the name suggests, a warmer brown tinged orange. It is often recommended for using as a warm wash to be used as ground or as a glaze as it has a high transparency. Introduced as part of the quinacridone pigment range in the 1950’s I admit it was a totally new colour to me and I was keen to see how it behaved.
I choose to mix with Paynes Gray and found this gave a beautiful range of soft plum colours. The Paynes Gray and Yellow Ochre gave a range of olive greens that softened to sage green with the addition of white. Here is my mixing page:
Using a drawing from my sketchbook, I created this postcard landscape for the day’s daily painting. The colours worked well for me; enough softness so that they sat well together, a good range of deep purple and grey darks with the zing of the orange to provide a lift of colour without clashing as a brighter orange could do.
Quinacridone Burnt Orange is definitely a colour I will be using more frequently – this one’s a winner!